Motionless now and in absolute silence, she awaited her doom, the moments growing to hours, to years, to ages; and still those devilish eyes maintained their watch. Ambrose Bierce was one of America’s leading writers of the nineteenth century, seen by contemporaries as a successor to Edgar Allan Poe with an authentic grasp of horror based on his experiences fighting for the Union in the American Civil War. Despite his contributions to the genre of supernatural and weird tales, today his name remains unknown to many readers. This new collection presents over thirty of Bierce’s most terrifying and unusual stories, from essential classics such as ‘An Occurrence at Owl Creek Bridge’ and ‘The Eyes of the Panther’ to the writer’s lesser-known series recounting macabre local legends of haunted houses, mysterious disappearances and chilling encounters with the dead.

At that moment, in a flash that came like a shifting of her eyes, the world she looked at suffered a change... It was the same world, flat field for flat field and hill for hill; but radiant, vibrant, and, as it were, infinitely transparent. Tales of eternal damnation, love, sexuality, death and supernatural talents form the core of May Sinclair’s essential and groundbreaking oeuvre. Literary and still thrilling today, her stories explore the strangeness at the heart of human experience and relationships, where the mundane and the everyday meets lurking, otherworldly weirdness. Including the contents of the classic collections Uncanny Stories (1923) and The Intercessor and Other Stories (1931), this new volume also features two rare strange tales from a third, lesser-known book which explore further facets of Sinclair’s fascination with the uncanny.

The fact that humanity is not alone in the universe has long preoccupied our thoughts. In this compelling new collection of short stories from SF's classic age our visions of `other' are shown in a myriad of forms - beings from other worlds, corrupted lifeforms from our own planet and entities from unimaginable dimensions. Amongst these tales, the humble ant becomes humanity's greatest foe, a sailor awakes in a hellish landscape terrified by a monstrous creature from the deep, an extra-terrestrial apocalypse devastates our world but also brings us together, and our race becomes the unwitting agent of another species' survival. Be prepared to face your greatest fears and relinquish your hold on reality as you confront the menace of the monster.

'Back from the shouting floor and ceiling came the chorus of images that stormed and clamoured for expression. Jones lay still and listened; he let them come. There was nothing else to do.' Algernon Blackwood was one of the most influential writers of twentieth-century weird and supernatural fiction. He once told a correspondent that every story he wrote was based on either a personal experience or that of someone he knew, and thus the vast collection of short stories and novels published in his lifetime can be seen to form a kind of autobiography. In this collection of his most atmospheric and uneasy tales, Mike Ashley provides the facts of Blackwood's life which inspired each story - including experiences as an intelligence agent in the First World War and adventures in New York - to tell the parallel tale of the author's lifetime of the supernatural.

'There was not a soul to be seen, up or down; and the trees stood like ghosts, and the silence was terrible, and everything clear as day. You don’t know what silence is until you find it in the light like that...' Margaret Oliphant’s superbly strange tales have been long overdue their rediscovery as classics of the Victorian ghost story genre. From suspenseful hauntings to weird experiences of the afterlife and encounters with sympathetic ghosts, Oliphant tells her tales with well-wrought imagery and a nuanced voice to deliver a thoroughly unnerving and unforgettable reading experience. This newly edited volume collects six of her greatest ‘Seen and Unseen’ stories – Oliphant’s most popular series in her day – and includes a new introduction exploring the life of this pioneering novelist.

Sound the sirens! The end is here, and it comes in many forms in this new collection of apocalyptic short stories from the classic age of science fiction. Join humanity on the brink of destruction in 13 doom-laden visions from the 1890s to the 1960s, featuring rare tales from the Library's vaults. Tales of plague seizing an over-polluted capital, a world engulfed in absolute darkness by some cosmic disaster, and of poignant dreams of a silent planet after the last echoes of humanity have died away. Extreme climate change, nuclear annihilation, comet strike; calamities self-inflicted and from beyond the steer of humankind vie to deal the last blow in this countdown from the first whisper of possible extinction to the Earth's final sunrise.

The disquieting tales of Mary E. Wilkins Freeman explore a world of contrast, where the supernatural erupts out of authentically drawn portraits of New England life. This is a world of witchcraft, secrecy, domestic spaces turned uncanny and ancestral vengeances inflicted upon the unfortunates of the present. Collecting the best of the author's strange tales - including 'The White Shawl', which was unpublished during her lifetime - this volume casts a light on an underappreciated contributor to weird fiction and the shadowy corners of a dark imagination.

Occult or psychic detective tales have been chilling readers for almost as long as there have been ghost stories. This beguiling subgenre follows specialists in occult lore - often with years of arcane training - investigating strange supernatural occurrences and pitting their wits against the bizarre and inexplicable. With tales featuring the most prominent psychic detectives such as William Hope Hodgson's Carnacki, the Ghost Finder and Algernon Blackwood's Dr. Silence, this new collection also includes rare and never-before-reprinted cases investigated by the likes of Flaxman Low, Cosmo Thor, Aylmer Vance and Mesmer Milann.

Join Mike Ashley on a characterful tour of the most ingenious and often forgotten books from the rich history of classic British science fiction. From the enrapturing tales of H. G. Wells to the punishing dystopian visions of 1984 and beyond, the evolution of science fiction from the 1890s to the 1960s is a fascinating journey into the hopes and fears of those years. Establishing this period as what we can now appreciate as the 'classic' age of the genre, which for most of this time had no name, Mike Ashley takes us on a tour of the stars, utopian and post-apocalyptic futures, worlds of AI and techno-thriller masterpieces asking piercing questions of the present. Though not seeking to be exhaustive, this book offers an accessible view of the impressive spectrum of imaginative writing which the genre's classic period has to offer. Towering science fiction greats such as Ballard and Aldiss run alongside the, perhaps unexpected, likes of G. K. Chesterton and J. B. Priestley and celebrate a side of science fiction beyond the stereotypes of space opera and bug-eyed monsters; the side of science fiction which proves why it must continue to be written and read, so long as any of us remain in uncertain times.

"Detective Patrolman McClane watched the two-man space station spin into view, a shining disc against the black backdrop... Waiting for the airlock to fill, he though bitterly of his situation—promotion due and he had to get a job like this..." Telepaths, time machines and alien encounters collide with the crime and mystery genre in this new collection exploring the space where detective stories and science fiction meet. To reflect the broad spectrum of this crossover genre Mike Ashley has selected ten of its most ingenious mysteries spanning the decades from 1912 to 1972. These are stories of AI acting against programming, locked-room murders in the confines of spacecraft and cases pitching the police against psychic perpetrators, penned by some of the greatest writers of crime and science fiction including P. D. James, Anthony Boucher, Isaac Asimov and Miriam Allen deFord.

Pre- and post-apocalyptic science fiction is on the rise, and some of the genre's best new stories are collected here, with contributions by Stephen Baxter, Alistair Reynolds, Robert Reed, Robert Silverberg, and Damien Broderick.

With stories from modern writers, and the founding fathers of horror fiction, weird or cosmic horror combines the dark brooding shadows of the night with the presence of elder gods at the edges of our world. Algernon Blackwood, M.R. James, H.P. Lovecraft and Ramsey Campbell sit alongside new tales by new writers from open submissions. The Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories, the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.

Don Miguel Navarro lives in Britain - a Britain which failed to repel the Spanish Armada invasion. He is part of the Society of Time, an organisation which polices the improper use of time travel, and which is galvanised into action when an ancient relic from a parallel time's South America is spotted on the black market. In three fascinating and ground-breaking novellas, John Brunner weaves an ingenious tale of a divergent and compelling timeline, and poses complex questions of how we perceive the fourth dimension and its relation to our own identity. When collected previously the three original Society of Time stories were abridged. Here, 'The Spoils of Yesterday', 'The Word Not Written' and 'The Fullness of Time' are reprinted in full, along with the two mesmerising Brunner novellas 'The Analysts' and 'Father of Lies'.

`I was suddenly struck with the sight of a trail of rich red vegetation of several miles in the midst of the eternal snows. I approached with curiosity this oasis in the frozen desert.' An antique shop owner gets a glimpse of the red planet through an intriguing artefact. A Martian's wife contemplates the possibility of life on Earth. A resident of Venus describes his travels across the two alien planets. From an arid desert to an advanced society far superior to that of Earth, portrayals of Mars have differed radically in their attempt to uncover the truth about our neighbouring planet. Since the 1880s, writers of science fiction have delighted in speculating on what life on Mars might look like and what might happen should we make contact with the planet's inhabitants. These ten short stories from the golden age of science fiction feature classic SF writers including H.G. Wells, Ray Bradbury and J.G. Ballard, as well as lesser-known writers from the genre. They reveal much about how we understand our place in the universe. Lost Mars: The Golden Age of the Red Planet is the first volume in the British Library Science Fiction Classics series.

Science fiction has always confronted the concerns of society, and our concern over humanity's ecological impact on nature has inspired incredible stories for generations. In this new collection of stories from the classic period of the genre, explore both tales of eco-catastrophe and ruin following abuse of Earth's natural resources, and stories of hope and learning for humankind's future forays into the new environments of the future. Featuring rare stories from the science fiction and fantasy magazines in the British Library collection and pieces from some of the most influential writers in the field including Brian W Aldiss, Clifford D Simak, Margaret St Clair and Elizabeth Sanxay Holding.

When London journalist Philip Wade learns that his article on nuclear weapons testing has been censored by the British government, he is prompted to investigate the truth that lies behind it. Philip's search leads to a mysterious job offer in a newly-formed government department, and he soon realises the lasting damage that the nuclear tests have caused. The country is rife with uncertainty and distrust - then the water levels start to drop. This gripping apocalyptic novel, originally published in 1958, asks pertinent questions about censorship and the potential for violence in the face of disappearing resources. The Tide Went Out outlines the horrors that arise when we are forced to ask the question: `what happens when the water runs out?'

During her lifetime Violet Paget, who wrote as Vernon Lee, was referred to as 'the greatest of modern exponents of the supernatural in fiction', and yet today she remains on the periphery of the genre. This collection of her uniquely weird short stories and dark fantasies proves why she was once considered among the best of the genre, and why she deserves to return to those ranks today. From modernised folk tales such as 'Marsyas in Flanders' and 'The Legend of Madame Krasinska' to ingenious psychological hauntings such as the titular 'A Phantom Lover' and 'A Wicked Voice', Lee's own voice is just as distinctive and captivating - her weird imaginings just as freshly unsettling - as in her fin-de-siecle heyday.

The Rise of the Cyberzines concludes Mike Ashley's five-volume series, which has tracked the evolution of the science-fiction magazine from its earliest days in the 1920s to its current explosion via the internet. This series has traced the ways in which the science-fiction magazine has reacted to the times and often led the way in breaking down barriers, for example in encouraging a greater contribution by women writers and stimulating science fiction globally. Magazines have continued to build upon past revolutions such as the 'new wave' and 'cyberpunk', producing a blend of high-tech science fiction and expansive speculative fiction that has broadened the understanding of science and its impact on society. This final volume, which covers the years 1991-2020, shows how the online magazine has superseded the print magazine and has continued to break down barriers, especially for the LGBTQ community and for writers of colour.

Since space flight was achieved, and long before, science fiction writers have imagined a myriad of stories set in the depths of the great darkness beyond our atmosphere. From generation ships – which are in space so long that there will be new generations aboard who have never experienced planetary life – to orbiting satellites in the unforgiving reaches of the vacuum, there is a vast range of these insular environments in which innovative and emotionally complex stories may unfold. With the British Library’s matchless collection of periodicals and magazines at his fingertips, Mike Ashley presents a stellar selection of tales from the infinite void above us, including contributions from Judith Merril, Jack Vance and John Brunner.

A vicious plague has broken out in China and spread to Japan. The world governments look on callously, until the shadow of the Hueste virus begins to sweep across the rest of the globe. The pandemic draws nearer to Britain; shelters are hastily constructed across the country, but for whom? As the death toll booms and the populace finds themselves sacrificed for the sake of the elite, the cry for revolution rings out amidst the sirens. Maine's savage portrayal of society on the brink of ruin is a cruel forerunner of a more pessimistic science fiction of the 1960s. This subversive novel shows that even the heroes may succumb to brutality as the world descends into a desperate scramble for the last shred of what it means to be human: survival.

It is too often accepted that during the nineteenth and early twentieth centuries it was the male writers who developed and pushed the boundaries of the weird tale, with women writers following in their wake - but this is far from the truth. This new anthology follows the instrumental contributions made by women writers to the weird tale, and revives the lost authors of the early pulp magazines along with the often overlooked work of more familiar authors. See the darker side of The Secret Garden author Frances Hodgson Burnett and the sensitively-drawn nightmares of Marie Corelli and Violet Quirk. Hear the captivating voices of Weird Tales magazine contributors Sophie Wenzel Ellis, Greye La Spina and Margaret St Clair, and bow down to the sensational, surreal and challenging writers who broke down the barriers of the day. Featuring material never before republished, from the abyssal depths of the British Library vaults.

A figure emerges from a painting to pursue a bitter vengeance; the last transmission of a dying man haunts the airwaves, seeking to reveal his murderer; a treasure hunt disturbs an ancient presence in the silence of a lost tomb... From the vaults of the British Library comes a new anthology celebrating the best works of forgotten, never since republished, supernatural fiction from the early 20th century. Waiting within are malevolent spirits eager to possess the living and mysterious spectral guardians - a diverse host of phantoms exhumed from the rare pages of literary magazines and newspaper serials to thrill once more.

Between horror and fantasy lies a world in which the inexplicable remains unsolved and the rational mind is assailed by impossible questions. Welcome to the realm of Dark Fantasy, where safe answers are beyond reach and accounts of unanswerable dilemma find their home. Delving deep into the sub-genre, fiction expert Mike Ashley has gathered an unsettling mixture of twisted tales, encounters with logic-defying creatures and nightmarish fables certain to perplex, beguile and of course, entertain.

Mike Ashley's acclaimed history of science-fiction magazines comes to the 1980s with Science Fiction Rebels: The Story of the Science-Fiction Magazines from 1981 to 1990. This volume charts a significant revolution throughout science fiction, much of which was driven by the alternative press, and by new editors at the leading magazines. The period saw the emergence of the cyberpunk movement, and the drive for what David Hartwell called 'The Hard SF Renaissance', which was driven from within Britain. Ashley plots the rise of many new authors in both strands: William Gibson, John Shirley, Bruce Sterling, John Kessel, Pat Cadigan and Rudy Rucker in cyberpunk, and Stephen Baxter, Alistair Reynolds, Peter Hamilton, Neal Asher and Robert Reed in hard sf. He also shows how the alternative magazines looked to support each other through alliances, which allowed them to share and develop ideas as science fiction evolved.

In the 1970s science fiction exploded into the popular consciousness, appearing everywhere along the cultural spectrum--from David Bowie's alien stage persona to the massively successful global juggernaut that was "Star Wars," With the American involvement in Vietnam reaching its bitter conclusion, the Apollo moon program ending, and awareness of humanity's destructive impact on the environment increasing, our planet began to seem a smaller, lonelier, more fragile place--and the escapist appeal of science fiction grew.
Corresponding with these tumultuous events was a period of significant American economic decline, and, as Mike Ashley shows in "Gateways to Forever," the once-enormously-popular science fiction magazines struggled to survive. The third volume of this award-winning series chronicles the publications' most difficult period so far. The decade began with the death of John Campbell Jr., the man who launched the magazine "Astonishing," and with it science fiction's prominence as a genre. The widespread popularization of sci-fi imagery reflected a newly diversified market--new anthologies, fanzines, role-playing games, comics, and blockbuster films all fought for the attention and money of sci-fi fans. Ashley shows how the traditional magazines coped with these setbacks but also how they, as always, looked to the future, as the decade closed and the earliest precursors to the Internet emerged.
Mike Ashley's groundbreaking history is a monument to science fiction's evolution. As the genre continues to infiltrate mainstream literature, "Gateways to Forever" is essential reading for anyone interested in seeing how it all began.